How to Write Flash Fiction

Theme is not the characters or the plot or the first idea that started the narrative. By way of instance, a writer could start with the idea of exploring family connections between girls, but as his story progresses, his subject may appear as understanding and forgiveness between different generations of guys.

Theme enriches and inspires the reader when saying something profound about the human state. Theme is the abstract notion behind the story forming the narrative’s heart and soul which the exposition, dialogue, and action reflect every chance they get.

Fiction by its very definition is unreal. After we see a novel we know that the narrative and the characters in it are merely a product of imagination of the author. When we view a film we know that the characters are only acting their parts essentially pretending to be someone besides themselves. Still we’re emotionally affected by the turns and twists in the story. We laugh with them, weep with them, and also sense indignant towards the bad men. The lovable hero or heroine might be despicable in actual life and the villain may be a perfect gentleman, but we identify them with the characters they’re portraying. In essence for this short period we ourselves get transported into the imaginary world of the author. Oddly enough this happens too with the author at least to a number of them. He or she goes through the same emotions while writing and perhaps later as well. We consider the above thoughts and suggestions must be taken into account in any conversation on try this out. Of course we strongly suggest you learn more about them.

They will serve you well, however, in more ways than you realize. It really should not need to be said that you must conduct closer examination of all relevant points. Keep reading because you do not want to miss these crucial knowledge items.

Another benefit is that it can improve your imagination and enable you become more imaginative. There are instances when you locate your imagination isn’t creative enough and you get stuck when you are coming up with a few ideas for a creative project. As you browse through the story plot, you’ll be able to envision the plots in mind vividly. By improving your imagination, you’ll be able to create better games, create more creative arts and write better tales of your own.

Use your experiences to create the story come to life. If you have been hurt, then write it down. If you have been scared, write it all down. If you’ve ever been in love, duped, overjoyed, given birth, then buried a pet, been in an accident, conduct a race, or had your heart broken, write it down. These are the things that will make your story worth reading no matter what it is about. Using your creativity doesn’t mean you make everything up from scratch. Simply ask yourself “what if” and plug into your personal experiences. This is what keeps the readers engaged , and turning page after page. Be yourself and continue writing.

Getting back to fiction the imagination of the author also must be based on his direct or indirect encounters. In this sense fiction relies on fact and to that extent it represents just another dimension of truth. Here of course we run into the philosophical difficulty of the exact meaning of reality. You will find two diametrically opposite views – materialistic and spiritualistic. According to the former only things that can be perceived through our perceptions are real, everything else is unreal. The latter asserts that there is one ultimate fact from which all that we perceive comes out and what that’s perceived is only an illusion. We again consider a statement by Einstein: “Reality is merely an illusion, albeit a persistent one.” He was clearly referring to the reality of this phenomenal world. The term illusion can have different connotations but in general it means perceiving something as different from what it really is. So the presence of the thing is a necessity for illusion, it isn’t a mental construction. Imagination is a mental phenomenon and has nothing to do with anything actually existent. Thus the relationship between fiction and reality is completely different from that between reality and illusion. You can always check different fiction stories for reference.

For instance, if we take Charles ckens’s “A Tale of Two Cities” the main identifying theme may choose the kind of this question: Can you forfeit his life for the one he loves? In precisely the exact same story, many smaller themes are interwoven too, like death and life, resurrection, revolution, religion and sin, war and peace, and strength or abuse of power, because most works of fiction carry many encouraging themes that wrap around the main theme.

Character development can be one of the most important things about writing fiction. You want to create a realistic group of characters to move your plot together and to do this you need to know them. But how much can you really have to know about them before you begin writing?

And I am only speaking here of direct references to proper names and names. There are also inferences which need to be created and known in the event the work is to be properly appreciated. By Way of Example, a woman complains about her philosophy path:

1 additional way to emphasize the motif is through all of the characters in a story, with each character representing an aspect of the theme, like in Godfather stories when the theme of electricity is introduced with each character representing another facet of electricity.

Theme is the most visible in the protagonist’s greatest choice in a story. The simplest way to nail a theme is to set it in question form. The question to ask is: what is the protagonist’s biggest emotional decision to resolve the story’s conflict?

If the theme envelopes an emotion, its ability becomes universal. When the writer creates and dramatizes his theme through an emotion, his saying of the fact leaves an unforgettable impact on the reader. Thus an ambitious author could pick an emotion because the major part of the theme.

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