Naija Music – The Music Of Nigeria. For anyone individuals not really acquainted with Naija Well-known music – this is the sound emanating from your Nigerian Music scene. African popular music is, in the whole, as diverse because the cultures found through the continent with every region enjoying its own unique type of popular music associated with a range of instruments many Westerners are new to.
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Nigerian Popular music includes anything from Folk Music to most of the Common Music found through the world. There are many indigenous and ethnic peoples in Nigerian – therefore it should not be surprising that every ethnic group enjoys its personal unique favorite music flavour and instrumentals, poetry and music style.
Are you aware, for instance, that traditional music seen in Nigeria is closely associated with its agriculture, with certain instruments not being permitted to be played during various seasons? Labour songs really are a common type of indigenous Nigerian music that helps to keep the rhythm of workers in fields and also the river canoes (think slave songs of the Deep South).
The story is frequently told about the mother cheetah who returns home from your hunt to discover her cubs happen to be trampled to death by elephants. Understanding that she is no match for such giants, she blames and kills a herd of goats. Similarly, when a small group of Kenyan musicians took to the streets a week ago calling for less Nigerian and Tanzanian well-known music, these were killing goats. The elephant in this case is history. However, not even history is a match for innovation.
It’s funny, however the country common music star Kenny Rogers can come to Kenya today, charge an arm along with a leg, and play monthly of sold-out stadium gigs. Yet his heyday was in the ‘80s. Exactly the same holds true for top-tier Nigerian acts. Their time, however, has become. Kenya seems predisposed to preferring the foreign, the exotic, the western. At the chance of being charged with talking about ‘that old trope,’ everything began with all the erosion in our culture when the colonialists came. Colonialism eroded Kenyan culture I daresay more than it did in West Africa, in Uganda, in Tanzania. Kenya had been a settler state. The Brits had no plans of going anywhere. Ever. And in their assistance, and under duress, we threw the culture baby by helping cover their the pagan bath water and planted the Church and the Union Jack within the scene in the crime dressed up in mandatory, state-issued calico cloth threatened through the physical and mental whips of our own settler masters. So when the new government in independent Kenya clamped upon the Funk movement from the late 70s in addition to all other artistic expression, threatening and jailing academics in the universities and strangling the media, we shrunk into our cocoons, allowing ourselves instead to get satiated and sedated through the likes of ABBA, The Bee Gees and also the Beatles. Homegrown innovation was dealt a blow that would take us decades to recoup from. I used to be born middle class (and English-speaking) inside the ‘70s. My predilection for many things Western was established early in life. I would personally be irritated, nay embarrassed, when I’d return home from school and find the housekeeper blasting ‘that shady Rhumba.’ When I began my common music career within the 90s there weren’t many Kenyan musicians to appear approximately. Anyone who had were able to record anything had been condemned by society to dying, drunk or living poor, a direct result ‘loose morals and bad choices.’
I’m always slightly embarrassed after i introduce myself to folks I meet around the continent. I’m ‘Eric,’ while the South Africans are ‘Kgomotso’; the Nigerians are ‘Olusegun.’ Even as the Tanzanians might be ‘Damien’- pronounced ‘Da-mi-YEN’- they speak Kiswahili with such ease and fluidity having studied subjects like Biology within their national language. The Kiswahili language rolls off their tongues like honey for the easy beat of Bongo Flavour, as close as possible be able to Zouk singing on dry land. Consequently, in Tanzania, American Idol loses pride of place to Project Bongo, a real possibility show concentrating on homegrown talent. Conversely, urban Kenyans get as far as Sheng, a hybrid of Kiswahili and vernacular ipebrc so diverse that kids from estates separated by less than a highway have different names for the very same thing. Sheng dictionaries become obsolete once they head to press, because of the rapidity within the change of vocabulary. A Sheng speaker can date one to within a year of your own birth, locate your property to within a street from the word you make use of for ‘car’ or ‘mobile phone.’ Inside the rural areas, Kiswahili is as foreign as Greek, and is spoken only by those that may have picked it up in school or by those ethnicities whose ethnic language shares a common Bantu base with Kiswahili, similar to that between Italian and Spanish. We claim to have a national language. Listen again.